Gaspar Noé’s new film, “Love,” has attached to it the phrase “taboo-busting” because, one can only presume, it has been shown at the Cannes Film Festival and it has scenes of hardcore, unsimulated sex. (The reviews have not been great.) It’s also shot in 3D.
Wednesday, May 27, 2015
Sunday, May 3, 2015
Orson Welles would have turned 100 years old this week.
An object lesson to anyone who wants to make it in Hollywood is to note that the first three pictures Welles directed, "Citizen Kane," "The Magnificent Amberson's" and "The Stranger" were, combined, nominated for 14 Academy Awards. Fourteen! Including two Best Picture nominations.
Now the point is this, one would be hard pressed to name another writer or director whose first three movies received a total of 14 Oscar nominations and then was effectively thrown out of town. And — "The Stranger" made money. It was a hit! ("Citizen Kane" and "The Magnificent Amberson's" lost a total of $800,000.)
Welles' next-to-last Hollywood picture was "The Lady From Shangai," which was a critical and financial disaster, and then, of course, he was out of Hollywood for the next 12 years. He directed, wrote, and starred in "Touch of Evil," now considered a classic, in 1958.
But Welles wasn't done yet. In 1973, he released the film essay "F For Fake," which (although few will admit it) revolutionized film editing. No one paid attention in 1973; everyone just stole his techniques shamelessly after he died.
On Oct. 9, 1985, Welles appeared on The Merv Griffin Show, and spoke about his life and career, including his regrets. A day later he was dead, slumped over his typewriter. He was 70.
— Lars Trodson
Pick up our celebrated anthology of articles on Orson Welles here: http://amzn.to/1EXOlne.